A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

The green tiger beetle looks surprisingly exotic for a British insect. Viewed up close, it has jewel-like colours that belie its speed and ferocity as a voracious predator. Although it appears green to the naked eye, the microscopic structure of its iridescent exoskeleton reflects light in unexpected pinks, purples and metallic tones.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Giant clams are magical beasts. Their watery, flowing patterns are mesmerising, and their colours hardly seem real.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, framed, limited-edition fine-art print of an original artwork by Lucia Evans.

The lantern fly’s repeating patterns and extraordinary colours appear almost unreal, revealing a bold natural design that could easily be mistaken for abstraction. Despite its luminous name, this remarkable insect does not glow at all and is actually a type of planthopper.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

Found on rocky British shores, the strawberry anemone takes its name from the mottled markings on its vivid red body. Its dense tentacles and richly patterned surface are reflected here in layers of branching lines, scattered forms and shifting colour.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed. The unique original artwork and framed exhibition print are listed separately, where available.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

The lanternfly’s repeating patterns and extraordinary colours appear almost unreal, revealing a bold natural design that could easily be mistaken for abstraction. Despite its luminous name, this remarkable insect does not glow at all and is actually a type of planthopper.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

Viewed up close, the eye of a coral grouper becomes a remarkable landscape of vivid colour and jewel-like pattern. Removed from the context of the fish, the image can be enjoyed both as a celebration of its natural detail and as an abstract composition in its own right.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

The flowing, translucent tentacles of a snakelocks anemone sway with the movement of the water, creating a shifting pattern of colour, light and organic form.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

A coral reef is a living tapestry of overlapping forms, branching lines and intricate repeating patterns. The shifting sense of scale makes the image feel both like a microscopic close-up and a bird’s-eye view of an expansive underwater landscape.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

Look closely at a glitter weevil and its body reveals thousands of tiny scales, whose microscopic structures create its extraordinary shimmering, iridescent colour. It is amazing what becomes visible when we examine the natural world under a macro lens.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, framed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Marks spiral outwards from the sea urchin’s centre, capturing the energy and intricate symmetry of these remarkable creatures, whose striking spines conceal a surprisingly complex living form.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

Inspired by a chameleon’s remarkable ability to change colour, overlapping layers of vivid marks shift and merge across the surface.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed. The unique original artwork and framed exhibition print are listed separately, where available.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Inspired by a chameleon’s remarkable ability to change colour, overlapping layers of vivid marks shift and merge across the surface.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

The green tiger beetle looks surprisingly exotic for a British insect. Viewed up close, it has jewel-like colours that belie its speed and ferocity as a voracious predator. Although it appears green to the naked eye, the microscopic structure of its iridescent exoskeleton reflects light in unexpected pinks, purples and metallic tones.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Inspired by patterns and translucent colours of glass frogs and the way in which the flowing lines of their legs and body cut through this.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Found across tropical coral reefs, thousands of tiny zoanthid polyps form vast, brightly coloured colonies, repeating the same circular form as their colours shift from group to group.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Based upon an abstracted study of an emerald nerite shell, a tiny sea snail of which I have found several on a beach in Ischia, like a tiny jewel in the sand.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Inspired by the spiralling patterns and incredible colours of fungia coral, abstracted to create a flowing repetitive pattern.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Found on rocky British shores, the strawberry anemone takes its name from the mottled markings on its vivid red body. Its dense tentacles and richly patterned surface are reflected here in layers of branching lines, scattered forms and shifting colour.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

Giant clams are magical beasts. Their watery, flowing patterns are mesmerising, and their colours hardly seem real.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

• Print size: A1, 594 × 841mm

• Signed by the artist

This print forms part of the limited edition for its size. Other limited-edition prints are listed separately, where available.

A signed, framed, limited-edition fine-art print of an original artwork by Lucia Evans. The original of this piece is part of the A5 sketchbook series created in 2024.

The green tiger beetle looks surprisingly exotic for a British insect. Viewed up close, it has jewel-like colours that belie its speed and ferocity as a voracious predator. Although it appears green to the naked eye, the microscopic structure of its iridescent exoskeleton reflects light in unexpected pinks, purples and metallic tones.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed. The unique original artwork and framed exhibition print are listed separately, where available.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

Inspired by the bulbous, disc-like forms and vivid colours of mushroom coral,the repeated marks draw the eye inward, creating a sense of depth as though you are drifting through the deep ocean.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed. The unique original artwork and framed exhibition print are listed separately, where available.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

Giant clams are magical beasts. Their watery, flowing patterns are mesmerising, and their colours hardly seem real.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced by Panopus in London as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper has been selected for its rich colour reproduction and its ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4, 210 × 297mm — edition of 30

• A3, 297 × 420mm — edition of 25

• A2, 420 × 594mm — edition of 20

• A1, 594 × 841mm — edition of 15

This print is supplied unframed. The unique original artwork and framed exhibition print are listed separately, where available.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.

A signed, limited-edition fine-art print of an original artwork by Lucia Evans.

Inspired by the spiralling patterns and incredible colours of chalice coral, abstracted to create a flowing repetitive pattern.

The original artwork was created through a layered process using watercolour, gouache and masking fluid, combining fluid colour with repeated marks and fine detail.

Professionally produced from a high-resolution scan of the original artwork as an archival giclée print on Innova Etching Cotton Rag 315gsm. This softly textured, heavyweight cotton paper was selected for its rich colour reproduction and ability to retain the subtle details of the original artwork.

Each print is individually signed and numbered by the artist. Editions are limited separately by size:

• A4 — edition of 30
• A3 — edition of 25
• A2 — edition of 20
• A1 — edition of 15

This print is supplied unframed. The unique original artwork and framed exhibition print are listed separately, where available.

As each print is produced and finished individually, there may be very slight variations. Colours may also vary subtly between screens and the physical artwork.